HongXing wide PP tiered storage tower — cream frame, beige pull-out bins, fixed legs. Wider sibling to 419 Series, one full-width bin per tier. 3–7 floors, mixed-tier in one PO. MOQ flexible, OEM accepted.

HongXing narrow PP tiered shelf cabinet — mint green frame, beige pull-out bins, fixed legs. Minimalist organizer for kitchen, bathroom, nursery. 3–7 floors, mixed-tier in one PO. MOQ flexible, OEM accepted.

HongXing narrow PP tiered shelf cabinet — mint green frame, beige pull-out bins, fixed legs. Minimalist organizer for kitchen, bathroom, nursery. 3–7 floors, mixed-tier in one PO. MOQ flexible, OEM accepted.

HongXing 80cm pink PP floral drawer cabinet — 2 small top drawers, full-width lower tiers, pink crystal flower 3D print, pink frame, casters. 3–7 floors, mixed-tier in one PO. MOQ flexible, OEM accepted.

HongXing 80cm yellow PP floral wardrobe — double-door hanging rod, flip mid doors, modular base drawers, yellow crystal flower 3D print. 3–5 tiers, MOQ flexible, OEM accepted.

HongXing 86cm blue PP floral drawer cabinet — ice-blue anemone 3D print, dual top drawers, full-width lower tiers, blue frame, rolling casters. 3–5 floors, mixed-tier in one PO. MOQ flexible, OEM print accepted.

HongXing 86cm pink PP rose drawer cabinet — 3D floral print, dual top drawers, full-width lower tiers, rolling casters. 3–5 floors, mixed-tier orders in one PO. MOQ flexible, OEM accepted.

Most plastic wardrobes look like what they are. This one looks like what it replaced. The 3D rose print — blush peach left, lilac purple right — is not flat; it is depth-printed to read as a backlit photograph of actual flowers. "Flower" appears in gold foil script at the top door and again at the base drawer, bracketing the full cabinet height in the same typographic register. The champagne crown at the top and the arched base below complete the frame. Inside: a full-width hanging rod behind the double doors, two flip-access mid compartments, and a base drawer stack that grows with tier count. Three tiers for a bedroom corner. Five tiers for a room without a built-in wardrobe. The flowers are the same at every size.

The hamster cabinet and the dolphin cabinet share the same body, the same legs, the same mint-green frame. What changes is the water. The KATA hamster sits still in a quiet room. The Sea World dolphin moves — it leaps on the top right drawer, tosses a ball on the mid drawer, cruises along the seabed at the base. Colored tropical fish (yellow, pink, teal, red) scatter between the dolphin appearances at different scales — large near the character, small in the background — creating a sense of underwater depth across the drawer stack. "Sea world / Beautiful sea floor" appears in clean script on the text drawer, the only typographic element in the composition. White body, mint frame, soft blue dolphin, warm-yellow seaweed: the four colors coexist without competing. This is the same platform as the hamster cabinet positioned for ocean-themed nurseries, coastal retail, and gender-neutral children's room channels.

Every other cabinet in this range rolls. This one stands still. The four mint-green PP legs are fixed — not casters, not adjustable feet, fixed. The decision is deliberate: this cabinet is not meant to be repositioned. It is meant to be placed once, beside a bed or a bookshelf, and looked at. The KATA hamster gives it something worth looking at. The grey hamster on the mid drawers is not cute in the usual way — it is soft in a specific, almost photographic way, rendered in grey watercolor wash with a round belly, a tiny mouth holding a seed, and the "KATA" speech bubble floating beside its ear. Two smaller hamsters sit on the top drawers — golden on the left, grey-white on the right — each holding a chocolate bean in the same posture. The mint-green frame is the lightest color in the current cabinet range. The cabinet reads as a pale sage-green object with a grey hamster on it, which is a more accurate description than "children's storage."

Every other theme in this series tells a story through characters. The Strawberry cabinet tells a story through texture. There are no animals, no performance, no narrative arc. There are strawberries — dozens of them, at different sizes, across every drawer from top to bottom. Some are fully rendered and red, some are outline-only, some are reduced to a green seed dot. They float across the white surface like a pattern on wallpaper rather than a print on a plastic drawer. The only text is "KEEP GOING" in rounded brown type with a small strawberry at its side — a motivational line, not a brand name. The top left drawer has a cloud drawn in one continuous pencil line with a tiny ant crawling beside it. That is the entire visual language of this cabinet: fruit, space, and one small pencil drawing. It fits beside a sofa in an adult living room. It fits in a rabbit-themed nursery. It fits anywhere that does not need a character to explain itself.

The Penguin marches in a line. The Squirrel sits still. The Rock Bear performs. On every white drawer, the brown bear has its mouth wide open — mid-note, full expression — while the grey bear cub beside it plays along with a drum hat pulled down over its eyes. The performance is always in progress. The blue "ROCIC DEAN" bands alternate above and below, gold music notes scattered across the sky-blue ground. The top right drawer shows the grey bear peeking over the edge, one ear flipped up, expression caught between surprised and delighted. It is the most kinetic character in the current cabinet series: every figure is mid-action, mid-sound, mid-show. More tiers, more blue bands, more performance. At 7 tiers the concert goes four floors deep.